Sunday, September 17, 2006

Wedding Day



As soon as the sun rises, it is clear that today is a special day. The women spend the early morning working in triple time, carrying load after load of water jugs to fill the additional basins that have been brought over. The courtyard is full of women from the village, babies clenched to their backs, discussing the plan for feeding one hundred or so guests. They bring over extra cast iron cauldrons and wood for burning.


Fatou, a little distracted, quickly puts together a pot of hot water for my day’s ration of instant coffee. I pay close attention to the ladies, not understanding a word, but hoping to make a little sense of the massive orchestration. Once again, Fatou (honored guest because of the relative distance she traveled) affirms her status by starting the day in one of her prettiest and flashiest booboos. She seems a little more anxious than usual about getting me washed and ready for the day. 


Not long after I’m cleaned up and dressed, we start to hear approaching drums. The bride is coming over from her village with a large entourage (probably half of her village). The women in the courtyard start to work a little faster. The bride’s parade is coming closer! Ousmane, though quite composed, wears an explosive grin. Kiné, his first wife, quietly retreats to her room.


Parade seen from afar, slowly making its way through the village.

Everyone seems focused on a task including all the young girls who are doing last minute brushings and wardrobe decisions. Syrah and Khadi must have changed in and out of different outfits at least 3 times.

When the sound of wildly beating drums could no longer be ignored, a stampede of women ran out from the courtyard to meet the crowd. The girls giggled, jumping around. The boys lined up, arm to arm, watching quietly. It was hard to see what was happening because of the many tall bodies bunched around the bride. I jumped up on a log and saw that she was concealed under a white sheet, standing behind a woman holding a rolled up bamboo mat that protrudes high above the crowd. The young woman thumps it mightily, following the cadence of the drums. Openings form in front of the bride. Villagers take turns dancing in the circle, stomping and raising their legs high, backs arched down parallel to the ground, arms straight out to the side.




The griots lead the cadence with their drums and short whistle blows.


Gender roles are so accentuated in Kissang that even as children, boys and girls play separately.




As the guests streamed in the courtyard, so did the gifts. Women carried iron pots, clay jars, mats, cups and bowls, fabric to adorn the walls, blankets. The men carried in a large chest and armoire. I hadn’t seen but a couple pieces of furniture in the whole village. Was his second wife’s family better situated? It's hard to know since often times, wedding gifts are bought with the dowry agreed upon in marriage negotiations. The Senegalese tell me that most often, a man’s first wife is chosen for him amongst the parents, even as early as birth, making negotiations a smoother affair. The second wife is the man's choice. The man pursues a woman based on personal interest and attraction which necessarily tips the scale in favor of the bride’s party when deciding how large a dowry he’ll have to pay.


Ousmane and his second wife, Ker, were actually married over a year ago, a quick formality done in the mosque with only the parents present. Today’s ceremony marks a more important event. She will finally join her husband. Why the wait? Ousmane first had to get the house ready (build the additional mud hut) and save enough money to provide for his new wife and young child (apparently Ousmane was allowed conjugal visits). And of course, he also had to get the money and food stock together for today’s grand affair. I’d calculate it at about a little over a year’s worth of (Senegalese) wages.

The bamboo mats are rolled out under the covered porch. Ousmane and his bride sit next to one another. Women and children fill in around them. The men cross over to the other end of the courtyard to find a place under the second covered porch. Then, after a series of symbolic offerings and benedictions, the young girl’s white shroud is pulled back. The singing and clapping continue for hours while different villagers take turns sitting in front of the new couple, offering them sage advice. Always followed by a trail of “amin, amin, amin…”







Meanwhile, groups of women pour in and out of Kiné's, the first wife's, room. The older women sit in front of her, giving her firm instruction on how she should treat her co-spouse. “Treat her as she is your own daughter, teaching her how to take good care of the home and the family!” I had peaked in on Kiné throughout the day. She was solidly stoic with heavy eyes. She remained aloof, even whilst the women yelled proverbs of domestic living. The women, packed tightly into the mud hut, after each lecture would break out in to high pitched singing and chaotic dancing, clanging large spoons on metal bowls. The loud din spilling out of the case made one think the women were trying to chase away Kiné’s sorrow with noise.


Eventually, the courtyard grew quiet for the marabout’s sermon. I learned later, when I asked the school teacher, that he spoke of the different roles between husbands and wives. He said this was the first ceremony he had gone to where the iman also stressed the importance of a man’s obligation to his wife (or wives).










After the speaker finished, the big moment arrived. The new wife would be taken into the first wife’s chamber. It was a moment I didn’t want to miss. Though I literally could not even fit my foot in the room, I did manage to sneak a look in from the hut's back entrance. They did the traditional side-to-side hug to the shrill of more proverbs, singing, and clamber of metal spoons and bowls. After a few songs, the bride and her entourage stream out of the room. Tucked behind the curtain, I wait. When the last woman in the hut steps out, a large stream of tears rolled down Kiné’s cheeks. It triggered such a strong emotion within me that my eyes quickly became a blur. This moment did not last more than a minute. Kiné knew the women would soon be back. She wiped her eyes and laid out a beautiful blue booboo, made special for the occasion.



Ousmane with his young new bride (Ker) on the left and first wife (Kiné) on the right.


Ousmane’s wide grin had not once left him since I had first spotted him in early morning. He was exceedingly proud of the great many guests that had shown up and of his beautiful brides. Ousmane introduced me to every single family member and to many friends. I took a great number of photos upon his request.







I asked him a lot of questions during the day since he was one of the few who spoke a little French. At one point, while we were sitting in his hut, he told me that I'm pretty and nice and asked if we could get to know one another better. I try to keep my sarcasm to a polite level. “Oh Ousmane" I say, "you already have two beautiful wives, that should be enough!”. “But,” he says, “there is always room for a third." I blink three times, too stunned to make an expression. He is not hitting on me on his wedding day, is he? Ousmane bursts out in laughter. Oh o.k., he must be joking.

No, he wasn’t. Later, he approaches me again and says, “Liliane, if you change your mind, let me know. At least stay in contact while you are still in Dakar. Give me your number and I’ll call you.” Senegalese men have a way of just telling you what to do. Very unnerving for a Western girl. By this time, I was ready to march out to that water tower where I could be alone and collect myself. I was eager to call my sweet heart since I wanted reminding that women from my neck of the woods had achieved emancipation and that polygamy, in my culture, is a pipe dream!

On my way back, I ran into the donkurons, the ceremonial dancers. There were three, covered in leaves and branches, their faces hidden. Everyone was particularly excited about the donkurons. I had heard talk of them weeks before the wedding from Mady and Fatou. Approaching the compound, the drums started again and a huge crowd formed. The dancing was like a competition. Each one trying to outdo the other. It seemed the victor was he who created the most movement. The speed at which they stomped and jumped around while staying in rhythm was incredible.



As the sun inched lower on the horizon, the freshly slaughtered mouton was getting cleaned and broken down by the women’s cooking squad. Most of the roughly cut up animal was thrown in the stew: head, innards, and parts unidentifiable. I stood around for a moment, as I did for most meals, but quickly realized I risked ruining my appetite for tonight’s feast. So instead, I followed cousin Khadi as she mingled through the crowd. Khadi is animated and energetic. I needn’t understand Mandingue to get the gist of what she was saying.



After my evening rinse, I put on my one and only booboo. I had saved it for the culmination point of the marriage cermony. Several guests complimented my Senegalese look. Khadi, on the other hand, surprised me with a very Western looking get up; tight black pants and a sleeveless black and white top with high heeled sandals. She looked like she was ready for the big city clubs! The two brides washed up and came out, each in a beautifully adorned booboo.


At 16 years of age, I estimate Ker is about half as young as her co-spouse Kiné who already has 4 kids. 

Meanwhile, young Syrah was working doggedly. Being Ousmane’s eldest girl, she was always the person who got called on if someone needed something. She was up until 4am the night before brewing pot after pot of the traditional tea. Today she was up at 6 am filling water basins, running after toddlers, serving meals and sweeping floors. She was also in charge of watching after me. She spoke only a little French however the little bit she did speak was helpful. She served as a translator when I was amongst the women which was most of the time. Syrah’s in 6th grade and currently living in the nearest village with an upper level school. She came home special for the wedding. I asked her how she felt about getting a second mother. She thought for a moment, laughed lightly, shrugged her shoulders and said she was o.k. with it. Syrah works very hard and never complains. She has the smile of a genuinely happy heart.





The bride and the women of her entourage were not spared of work either. Even in their loveliest attire, they all shared the work of preparing for the night's feast.


Dinner was served late. I followed Fatou into Kiné's hut to share in the women’s platter. I was used to meat chunks in the meal, but this looked to be only connective tissues. I imagine the meat went to the male guests. The woman didn’t seem to mind, practically fighting over the hard chewy pieces.

Not long after bellies were filled, the crackly speakers spewed out the same muffled tracks as the night before. Mbalax! They never get tired of it. Khadi runs out to dance, dragging me along. Certain my mbalar dance moves have not improved overnight, I stick around for the beginning of the song which is slower and then sneak off when it crescendos into chaotic beats. Khadi persists however. Everytime she spotted me, she’d grab my hand and take me back out to the fog of dust kicked up the big group of dancers.

Eventually, I had had it. Exhausted by the day’s heat and the emotional boulversement, I was ready to once again find a spot on the mat outside nestled among a half dozen sleeping babies. Even with the loud ruckus, I slept soundly up until just before dawn when I am summoned to come to Kiné’s room. I squeeze in to a bed already filled with 5 sleeping bodies and drift back to sleep.

Friday, May 19, 2006

Ladies of Kissang




I am again the last to wake judging from the loud commotion outside the hut. I hazily look at my watch, 7:12 am. Good grief. As the room comes into focus, I notice everything around me has been cleaned. The floor is freshly swept, sheets have been removed from the bed for a washing, my bag and other affects are neatly set in the corner of the room. Morning menu: left over mafé and a fresh pot of mooni.

The Thiam compound is filled with excitement. A continual flow of wedding guests stop in to announce their arrival.


After having spent time with Albert and his family, I could tell right away that these two fellas were from Peul country.

Around 11 am, Fatou and I pay another visit to her sister’s place. The sun is already out in full force. Unable to follow their conversation, which appears to be an exchange of juicy Kissang gossip, I focus my attention on the toddlers by my side. Poised and composed, they sit in a circle, beating contentedly on their plastic jugs. Drum practice for 1 and 2 year olds, incredible.
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An hour passes, the sun is getting hotter… and from the ladies’ apparent concern, my face redder. Fatou’s sister hands me her fan. Dafa tang! It’s hot! I assure her I’m fine. Futile. Each time I set down the fan, one of the two grabs it to send a breeze my way. And when we get ready to leave, Fatou’s sister refuses to let me out of the shade without covering my head with one of her colored scarves. Unskilled in stylish African head wraps and too embarrassed to even try, I just kind of plop it on my head and make my way across the village, looking a bit ridiculous.

Back at the Thiam home the women and girls are still busy with before lunch chores. My natural reaction is to want to help, but I don’t even know where to begin. Carrying water on my head is out of question. This takes a life-time of practice. Tending to the fire? Not sure how they adjust for temperature control. Cooking in general, appears way out of my league. Fatou, however, is not at all bothered by the scurrying of activity around her. She is a guest, and guests are necessarily exempt from work. Since her arrival in Kissang, she has transformed into Madame Dakar… big city girl regally strolling through the village in her sparkly booboos and extensive set of gold costume jewelry.

The entire morning a herd of young boys, with apparently nothing better to do, obnoxiously try to get my attention, gawking at my every reaction. I can't help but be perturbed that the girls slave while the boys’ utter boredom drive them to being a total nuisance.

After an interesting lunch of rice and a sauce made of dried, crushed baobab leaves and some kind of bean, the girls settle under the covered porch to commence beauty preparations. Several bags of different kinds of weave are scattered about.
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Khadi, Ousmane’s neice of 22 years old, seems to be at the center of activity. A radiant smile and a natural sense of style, she is consulted before any coiffure begins. She surprises me that afternoon, as she begins to insist that I stay glued to her side. Each time she’d leave a room, "Liliane, viens m’accompagner”… "Liliane, come with me," one of the 4 phrases she knows in French.
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Ousmane at one point, retrieves me from the ‘women’s station’ to show me he and his brother’s work. Kissang still operates on an ancient caste system. The Thiam family are the metal workers. The Camaras are of noble blood, supposed descendants of great warriors. And the Thiatchis, as explained before, are the griots. Hard to believe, but the village is still comprised of these 3 distinct classes. Marriage outside of one’s class (family) is still forbidden. Mady says it is even unheard of.
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Of the metal workers, Ousmane and his brother are Kissang’s jewelers. Their work hut is set up for two and full of interesting gadgets in order to melt, shape and bond metal. With the village in a frenzy to get ready for the big wedding celebration, the Thiam brothers have several jewelry orders to finish up. Ousmane exudes pride as he shows me the family heritage, explaining the different steps of his carefully tended craft.

Back on the porch, the girls are still busy with their braiding session. But, uh oh, supplies are getting low. I couldn’t help to laugh when it literally came down to a weave tug of war amongst the girls with half finished heads.
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Kiné, Ousmane's first wife, braids her daughter's hair.

The women elders have now joined in to help with the wedding activities, shelling a mountain of peanuts for what will become an army sized portion of mafé. Surrounded by at least 3 generations, they gaily share stories which intermittently produce load fits of laughter. I so wished I could understand.
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Shelling peanuts is an area where I could contribute but by this time, everyone had gotten used to Lili and her camera and wanted their photos taken. It must have been the first digital camera in Kissang. My, how the ladies were tickled to see themselves on the little screen.
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Thiam Family Portrait
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As dusk settled on the village, I snuck out for a moment’s peace near the school yard. I am not used to being smothered with attention nor being inundated by foreign sounds. It was all a little too overwhelming, especially with the older women thinking that if they spoke louder, I’d be able to understand. I had a lovely day with them but I couldn’t help but to feel so, well, out of place. Psychologically, it was hard to live the stark division amongst women and men. And, I could not help but to focus my attention on Kiné, Ousmane’s first wife.

The great mystery for me was, ‘what is going through her head?’ Is polygamy a social practice that has come to be accepted by women or is it something always unwanted and only tolerated. To this toubab it just seems so implausible, even when taking into account deeply embedded cultural norms, that any woman could be o.k. with sharing her husband with another, and consequently the family resources (and in this case, extremely meager resources). I felt her heavy-hearted. However this did not impede her from diligently working to make sure the family and many compound guests were well taken care of.

After a moment of sitting alone in blessed silence, I was spotted by one of the village teachers. Kissang’s first school (primary level) was built 6 years ago, containing 2 class rooms for 80 odd children. The two school teachers, both young and handsome, live next door. They invited me to have dinner with them, explaining they wanted their turn at welcoming the village guest. I accepted, but only after notifying maman Fatou.

Conversation was rich and helped me hash out some of the cultural clashes I was experiencing. But, first I had to surmount the incredibly frustrating conversation where the men go on about how if only they could make it to glorious toubab land where money grows on trees and the women are low maintenance. I doubt I managed to convince them otherwise but maybe I at least, for a moment, tipped the balance towards reality.
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This is Saibo Bâ's first teaching position. Given the scarcity of teachers in rural areas, local school officials went ahead and gave him the title of 'Director', of which he is very pround.

One thing I was interested to know was how they viewed their role as educators in Kissang and where they felt the potential lied. For example, I expressed my disgust of watching the boys spend their day doing absolutely nothing when part of that time could be used to reinforce learning. There has got to be extracurricular activities that could be developed; a book club, a garden project, etc. Did they ever try working with the parents to discuss the possibility of such activities? I was surprised to hear, that yes, they had put in an enormous effort to involve the parents but it hadn't gotten them very far.
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One of the village ladies who volunteers to cook the children's meals. Yep, tchep (rice) everyday.

Why so difficult? School in itself is a foreign concept and therefore few are even convinced of its value. They reminded me that the school was only 6 years old and still a controversial subject. Education is not something viewed as necessarily good… it could disrupt the village’s traditions and values with all the ideas it puts in the kids’ heads.
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Regardless, the teachers assured me that they have Parent-teacher meetings at least once or twice a month and even ask the imams and village leaders to intervene. They believe change can come, but only with a lot of perseverance and time.

While we were in discussion, huddled around the communal platter, at least 3 women stopped by… dressed to impress. They came in, sat for awhile and then left. I finally inquired “so you boys must get a lot of attention from the Kissang ladies, aye?”. Response: “huh? uhhhh? what? why do you say that?” “C’mon guys, just in 2 hours time you get 3 visits! And, let’s think about this… Kissang, like so many other smalll villages, suffers from a severe shortage of young men. With no money prospects, it’s the great exodus towards the big city. You fall under the rare category of men in marrying age, the only two people in Kissang that make real wages, both educated and not so bad looking, in a village swarming with young, beautiful women!” They both laugh realizing the accuracy of my observation. I could tell they had never been called out on it before. Funny.

Not long after, we all went back towards the Thiam compound. The moon was raising and the teachers had been in charge of pre-wedding, night entertainment. The plan was to crank up the music for a village ‘ball’. But how, without electricity? The setup: A table with a mega speaker that had been carted over from the next village and being charged by two old car batteries. Music selection? 3 tapes of mbalax, a style of music unique to Senegal. Music, almost painful to try to dance to if you aren’t super familiar with it. Dancing mbalax is kind of like trying to learn Chinese.
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As soon as the music came on, crackly, muffled and super loud, the courtyard was instantly filled with dancing bodies. Khadi, came out looking magnificent. But more than her stylish attire, her beauty shone from the inside. Even earlier in the day, while I watched her toil in her tattered sarong, she glowed. And boy did she have presence on the dance floor. It was kind of inconvenient that she, one of the best dancers in the village, wanted me by her side. I would sheepishly try to get in the groove, realize the impossibility of it and find a way to sneak off. Usually, I don’t really care if I’m a good dancer or not, but in Kissang, every time I approached the dance area, all eyes were fixed on me. When I did dance, everyone would literally just stop to watch.
The loud music and dancing went on for hours. By 1 am, stomping feet had kicked up so much dust that you couldn’t see across the courtyard. I was tired. Not just from the long day but also from what seemed to be a line up of men, taking their turn in broken French and English, at flirting with the toubab. In Dakar, I’d gotten used to dealing with it by being cold and refusing conversation. But, as a guest in a small village, I had to put in maximal effort at being polite without giving a hint of interest.

So finally, needing peace and a place to rest, I wandered over to the area where a few women would take turns watching over the dozen or so sleeping babies… I carved out a spot on the plastic mat amongst the little ones, closed my eyes and instantly fell asleep. Fatou woke me up around 4 am and led me to the bed in Kiné’s case. We were 5 sharing a small mattress. It was hot and lots of elbows and knees came my way. Needless to say, not a very restful night’s sleep.

Thursday, April 13, 2006

Intermission



LES ILES DE LA MADELEINE

I am dying to give you all ‘la suite’ of the Kissang adventure but simply can't get to it. It's crunch time for my video project. I have to get all the clips in order and ready for my brother’s arrival, which is TOMORROW. I promise to try and get it done tonight, if my brain cooperates.

Thank you for all your kind comments. I get much joy from sharing my stories and along the way, discovering my writing voice.

I did manage however to squeeze in a few moments to post some pictures. I took them on Tuesday while visiting 'les îles de la Madeleine' with my Senegalese family and a volunteer named Brice. The islands make up part of the natural reserve off the coast of Dakar. It was one of the most beautiful excursions of my life.


We reached the island by boat (seen above). I was extremely proud of Mady. Like most Africans, he does not know how to swim and is scared of large bodies of water. Knowing it would not bode well for little Mor if he showed the slightest bit of fear, he remained very calm.













There were a lot of tourists the day we went,  but we managed to find a small secluded beach. It was paradise... perfect weather, delicious picnic, cool white sand, lots of seashells hidden under sparkly black rocks...



Apparently, the last time Mor was taken to the beach, he cried the entire time. He was younger back then, and it was the first time he had seen the ocean. Mady, feeling more confident than ever after the boat ride, spent most of the time playing in the waves with his son.




The island is riddled with bird's nests. Here you see them perched in the brush with a direct view of 'les nids des hommes'.



The island, a result of volocanic activity long ago, has a grand variety of rock formations, colors and textures. Très, très jolie.

Thursday, April 06, 2006

Taranga


As the sun creeps over the horizon, a tacit crack of the whip jolts the women from their slumber. My eyes struggle open, but only long enough to notice the commotion. I quickly drift back to an impenetrable sleep, until menacing rays engulf the small hut where I lay.



I step out to the courtyard where there is a frenzy of activity. The women and children have long since started the day’s chores. Kiné, Ousmane’s first wife, is feeding wood under the cauldron to finish cooking the mooni. It is the morning dish… mill flour rolled into little balls, cooked slowly with water resulting in a stew of grey guck. At some point they add an inordinate amount of sugar, maybe to trick kids into eating it.

Syra, the eldest daughter (12 yrs old), and her cousin Khadi are already glistening in sweat, neck muscles fiercely flexed as they carry what might be their 7th or 8th round of water towards the stock of immense clay jars. Two or three are kept in the wash area of each of the four huts that serve as sleeping quarters. There is also a 4 foot metal barrel for cooking and drinking needs. The younger girls are busy sweeping the rooms and courtyard and watching over the troop of toddlers running about.





As soon as Fatou spots me, she precipitately starts some coals and hunts down the teapot. At the AFVP case, Mady is responsible for putting out baguette and coffee for guests. I suppose Fatou wants to show me the same courtesy. “Liliane, voilà café… viens manger!”. She has also managed to find me a piece of bread. Though doughy with a distinct flavor of dirt, I was impressed (and grateful) knowing that it was baked without electricity or fuel.

Still sleepy and lost in the cackling of Mandingue morning chatter, I sip my coffee in silence. Soon after, Kiné comes in with a big bowl of mooni. “Lekkel, Lekkel!” (Eat, eat! wolof) I try not to grimace as I soup out my first bite. Meanwhile, the other girls are devouring the puddle of grey goop by large spoonfuls. I’m watched like a hawk,
“ Lekkel! il faut bien manger!” the women yell in unison. (Eat! you must eat well! french)
“Woaw, lekkna bubar!” (Yes, I eat well! wolof)
“No, no Liliane, il faut BIEN manger!”
The exchange would repeat itself at least 3 times … It was the only phrase they knew in French. And the routine would go down, every single time we’d eat. Who knew it was possible to be more exigent than Italian ladies!

Our rounds visiting family and friends began early. Fatou tried to explain who was who, but with half the village being related, I quickly lost track. We received a kind welcome in every hut. Even though I couldn’t understand what was said, I was warmed by their smiles and laughter. The reason for our village tour was also so that we could present the wedding gifts to the family… executed in very specific order. First we went to see their (super old) father, then to the eldest uncle’s compound, then to the eldest brother’s home and finally to the mother’s hut. Each time, Fatou listed the items and the amount of the cash contribution. They’d touch the dresses… hold the sheets and then jet off into a 7 minute benediction. After each phrase, Fatou looked down and tapped her forehead, repeating “amin, amin, amin…” (Amen). They were genuinely moved by my participation in the gift giving. I thanked them in turn for inviting me to share such a special event with their family and for being so well taken care of.

There is just no way to explain the spirit of “taranga” (hospitality) in Senegal. You have to experience it. It is unreal to what extent they’ll go to take care of their guests. Mady says, “When a visitor comes, they feel so proud… that the person took their time and spent money to make the voyage.” Even in a family of 5 with only one bed, they’ll insist on sleeping on the ground so that the guest will sleep comfortably. “It’s a big honor for Fatou to have you come along with her... a toubab, coming to Kissang?! uhp, bup bup bup!”. (Senegalese version of ‘woohweeeh!’)

As I’ve touched on before, food is at the heart of taranga. Each time we went into a hut during lunch hours, we were made to eat. Unfortunately, I did not know this until after I had stuffed myself with those who first insisted we share in their meal. Man oh man, mafé three times, served extra spicy and piping hot, whilst the temperature outside climbed into the hundred plus range. The worst part was I had forgotten to bring my bottle of water along, making each fiery bite that much more painful. I had decided to bring my own supply to Kissang after being advised that drinking village water could make me ill. When we finally got back to the home hut I guzzled down a 1.5 liter jug… despite it having turned hot! The entire time in the village, I’d long for a fresh cup drawn out of one of the cool clay jars.

After hydrating myself, I noticed Ousmane had the mattress brought out again so I could rest in the courtyard. He, on the other hand, was busy at work, painting the new bride’s bedroom a shade of bright blue. Curious, I asked him,
“So, how does it work? How do you divvy up the nights?”
“Two nights one wife will sleep with me and then two nights the other”.
Ousmane’s living quarters are in the middle, a door on both sides connecting to each wife’s wash area with a door to their rooms. The children stay in their mother’s hut.

While relaxing in the courtyard, a great many passersby stopped to chat. After a morning and afternoon of constant Mandingue, I was thrilled when a man named Khalifa addressed me in perfect French. He presented himself as a long-time friend of Mady. Within minutes we had plunged into discussions on American culture and politics, French immigration and the woman’s role in Senegal. Without any prompting, he shared his disapproval for the inequality of the workload between the men and women. “The differences are even more exaggerated in small villages like Kissang” he says, “granted, the men can’t cultivate anything during the 6 month long dry season, but they could AT LEAST help gather wood in the fields for their wives! My wife never goes out to get her own wood”. I agreed that it was rather disturbing to watch the women and girls toil while the men rest in the shade, playing cards and sipping tea.


Folks from the village stop in and chat. The first thing the old man says to me in a proud voice, "You know, I was in Europe, I fought with the French!"
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Ousmane brought me into his future bride’s hut to show me the finished fresh coat of paint. His body pouring sweat, I comment, “whew, you must be glad to be done!”. “Oh no, I’m not done…” He signals over to wife number one’s hut, where a friend has already started carrying out the furniture. I couldn’t help but to laugh, “oh yeah, the wives treated equally thing…”

Ousmane painting the bride's room in what looks to be home-made paint.

As siesta hour came to a close, children had once again gathered in a circle outside the compound singing and beating on their home-made drums. Before venturing out, I spent 15 minutes on my mattress tapping my feet, trying to figure out how the heck I’d get my toubab body into the vibe. Eventually, I decided the best thing to do was just to jump in and go for it. I took my place in the circle, watching 5 year olds wildly move their little limbs in perfect synchronization. It wasn’t long before the “il faut danser” chant began. Taking a deep breathe, I jumped in the middle doing my best to imitate the dancers before me. My 4 minutes of toubab boogie ended in a barrel of laughs… but also with an encouraging, “merci, merci, c’est bien!”

I didn’t last long in the hot sun before wanting to return to my mattress in the shade. The children, ecstatic and still in complete fascination with their toubab visitor, followed me inside, reforming their circle where I sat. A young girl began singing the verses to a song to which everyone knew the chorus. I was amazed at the power in her voice… a 6-year old, singing with the grace and confidence of an old woman, already carrying with her a life-time collection of hymns. At one point, she even modified one of the songs and put in my name. I was touched by how easily the children found a source of joy in clapping, singing and dancing.


I was curiously watched by young villagers at all times.
In the early evening, I decided to make my way out to the water tower. Khalifa had informed me that if I climbed to the top, I might be able to get a signal and make a call. Eager to let my sweetie know that I had arrived safely, I asked Fatou to bring me there. As we went along, villagers stopped us to inquire where we were headed. When Fatou told them I was going to climb the water tower, first their eyes got real big and then they dropped what they were doing to join us. By the time I got to the ladder, at least 30 people had gathered, all in complete disbelief that I’d go up so high. Apparently no one in the village had ever dared. They watched me in complete silence until I got to the top and waved down below to let everyone know I was o.k. And yes, I did get a signal and did get to talk to my honey.


View taken from top of water tower. The village extends past the trees.



The villagers take turns filling their buckets with water. Don't let the young man fool you, he is holding an empty bucket to take part in the picture. I never once saw a male carrying water.

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Back at the hut, I was told water was ready for my evening rinse. In Kissang you shower two or three times a day. The women wash up after their long morning session of chores, in the midday if they’ve gotten real sweaty while cleaning and in the evening after they have finished preparing dinner. And can you guess what we had for dinner? Mafé maybe?! Yep.

After eating too much, Fatou took me with her to spend time with her sister. We crossed the village under a sky of a million stars. Over the course of our visit however, the moon’s ascension transformed the scenery with its magnificent glow… meanwhile, we could hear the sound of approaching drums. “Ahhh… the griots have arrived! They were in the bride’s village yesterday and tonight Kissang will dance!” Griots have a very special place in society. They are responsible for passing down the oral histories of the families, usually in the form of song. They also lead the music in all the drum circles. In Kissang, the Thiatchi family are the griots. The little girl I spoke of earlier is a young Thiatchi.

Completely mesmerized by the thundering of drums, I couldn not look away from the direction from which they were coming. It didn’t take long for the ladies to get the hint that I really wanted to go check it out. “Ah Liliane, tu veux danser?” As we approached, I realized the whole village was participating. I immediately renounced the possibility of entering the dance circle. Rather, I hid in the back, climbing up on a pile of wood to try to see what was going on. The Senegalese are so dang tall! Honestly, the children I’d seen dance earlier in the day were just as good as the adults… but the drum beats, my goodness, were just incredible. I stood there, dumbfounded, until the ladies were ready to call it a night.